Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1
Go to Selection Start ⌃↖
That’s control-home.
Positions the playhead to the start of the selection.
⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND
text is a tough way to do audio — ⇧ SHIFT — ⌃ CONTROL — ⌥ OPTION — ⌘ COMMAND
Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1
Go to Selection Start ⌃↖
That’s control-home.
Positions the playhead to the start of the selection.
⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND
Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1
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Rewind one 1/8 Note
It is very handy to be able to rewind by bars and note values. Simple rewind is a bar at a time. Fast rewind is 8 bars at a time.
⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND
- Global Commands
Rewind ,
Fast Rewind ⇧,
Rewind by Transient ⌃,
Rewind one Frame
Rewind by Division Value
Rewind one 1/8 Note ⌃⌥⇧⌘↘
Rewind one 1/16 Note
Shuttle Rewind
Scrub Rewind
Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1
Selection Start and End to Previous Transient and Play ⌥⌘←
For that lightning-fast editing. Moves the selection (both start point and end point) to the previous transient and plays. At some point I will want to edit an audio file. This is a good place to start.
Audio File Editor overview — Logic Pro X
Most day-to-day audio editing tasks are performed in the main window and Audio Track Editor. The Audio File Editor is useful for removing pops and clicks in audio material, setting accurate crossover points for looped playback, correcting phase cancellation errors, and more.
⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND
Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1
Normalize Region Gain… ⌃⌥G
I use this almost every time I start working on a mix. I simply set peak for all regions to -12 to -9 dB and mix from there. I run into audio files that have been normalized before being sent — peaks at 0.0 dB — that don’t work with the non-destructive “Normalize Region Gain…”. In these cases I will open the track in the Audio File editor and change the gain to peak at -0.01 dB. Once this is changed the non-destructive gain change will work.
If all tracks are recorded live at the same time I expect that the relationship between tracks is intentional, so I won’t normalize the regions. In these cases I will put a Gain plugin at the front of the channel strip on every track and reduce level as needed.
First pass (or two) on a mix is to pull the master fader all the way down and play the tracks. Each channel meter will indicate peaks. I use this silent measurement to help me not have to worry about clipping at the mix bus or output channel.
Quick, easy, gives me a sonic level “map” of the tracks.
Normalize audio regions in the Tracks area — Logic Pro X
You can normalize the gain of selected regions in the Tracks area, without opening the regions in the Audio Track Editor. The Normalize Region Gain menu command is non-destructive: the original file isn’t altered, so you can return it to its original state.
⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND
Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1
Select Used Instruments
As documented. Deep, mysterious workings in the environment. Ancient toungues.
Use advanced selection commands — Logic Pro X
Select Used Instruments: Selects all objects that are assigned to the selected track in the main window, or are connected to such objects via cables.
⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND