Sends on Faders — A Workflow Revolution

I was introduced to ‘Sends on Faders’ with my XR18 and the X-Air Edit software mixer. I didn’t really understand the power, but it certainly made it easy to adjust effect send levels.

Logic Pro (X) brought us ‘Sends on Faders’ in version 10.4.2. A new workflow is now possible.

I have to couple the ‘Sends on Faders’ discussion with a better understanding of using multiple mixer windows in a screenset. I can create multiple, different mixer windows and toggle between them with the ‘Cycle Through Windows ⌘`’.

On the left side of the screen I have the mixer window set to ‘Tracks’ with all of my summing stacks (bus folders, however you want to call them — AUX channels with a bus for input) collapsed giving me 24 channel strips. On the right side of the screen I have a mixer window set to ‘Single’ which will show all of the channels involved in getting sound from the selected channel to the outputs.

I can simply select a channel in the left window and the right window changes to show me the actual channels involved. The X-Touch follows the mixer view, so when I select the left window I have the faders and controls ‘under hand’.

I have an extended keyboard plugged in to the X-Touch so I can use key commands to change views.

Next on the reading list is a much deeper read of the Control Surfaces manual to understand the various methods of using the SEND functions on the X-Touch — much to learn.

I am actively involved in discussions on gearspace.com about the joys of the X-Touch

Behringer X Touch with Logic Pro — Gearspace.com

Hope you’re all well. Recently I bought an X Touch (universal Control…). I read (and seen on youtube) that it’s suppose to work pretty much as is out of the box with LPX.

I have found “Sends on Faders” in the Mackie Control world — SEND button plus F7

Mackie Control alternate Send edit mode options in Logic Pro — Apple Support

V-Pot 7 or F7 — Switches to Destination/Level Mixer view. In this mode, you can control one Send slot for all channel strips. Each channel strip corresponds to the channel strip name shown in the upper LCD row.

huge.

SoundCard Console

Sometimes it just takes a screenshot to remember some of the details…

Re: X-AIR and M-AIR mixers and system delay? — Music Tribe

This is a very handy tip.

Re: X-AIR and M-AIR mixers and system delay? — Music Tribe

You can add delay to a bus or Main LR mix on an XAir mixer by inserting a Pitch Shifter FX processor. This is the best processor to use for this because the Delay control has finer resolution than the normal delays. If you set Semi and Cent to zero, Mix to 100% and Hi Cut to 20kHz, the processor will just act as a delay. Use half of a Dual processor for a bus or the Stereo version for Main LR or a linked bus pair.

Control Surfaces

I am committed to learning how to really “drive” Logic Pro X. Along with the software I have some hardware that can help. I’m speaking of control surfaces. Apple provides some very nice helper tools for the iPhone and iPad — Logic Remote — that makes working in the studio so much easier.

Take the simple task of recording with microphones that are not in front of the computer. How do you start and stop the recording? Simple, Logic Remote on the iPhone gives you handy transport controls. No wires required.

For the big tasks (typically) I use my Behringer X-Touch — a wonderful surface that can drive Logic Pro X like it’s a Mackie Control, or my XR18 using the Behringer XCTL protocol. Swapping between the two modes is a simple matter of pressing the SMPTE/BEATS button located at the right side of the clock display. This does make one function a little harder — changing the clock display. That happens in the “Control Surface Setup” window. Change the “Clock Display” setting to whichever display you want to use.

I should start a separate blog series like “Logic Pro X Keyboard Command of the Day” with X-Touch functions. I did just add “X-Air Edit Keyboard Command of the Day” to my daily wisdom file.