Audio Compression Basics | Universal Audio

Compressors and limiters are used to reduce dynamic range — the span between the softest and loudest sounds. Using compression can make your tracks sound more polished by controlling maximum levels and maintaining higher average loudness. Here are some compression basics, different compression types, and some tips to try on your tracks.

Mason Hicks does an excellent job of describing compression, compressors, and why do it at all.

Note that the stock compressor in Logic Pro X can be used for each of the compressor types — tube, optical, FET, and VCA. The “Platinum” compressor in Logic is really none of the types listed, maybe more like a Distressor?

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Toggle Track Solo

Toggles the Solo state of the selected track(s) on and off.

Solo tracks — Logic Pro X

You can solo a track, silencing all tracks that are not also soloed. Soloing tracks is useful when you want to work on a track individually, or work on a few tracks, without hearing the other tracks in the project.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Extend Track Selection Down    ⇧↓

Add the next track (below the currently selected one) to the selection. I normally do this by selecting a track, holding down the shift key, and clicking on the next track(s) to be added to the selection.

Full control of the application from the keyboard makes a lot of sense for a “hands on” scenario. On laptops with trackpads it might make less sense — the trackpad becomes a very big surface for manipulation.

I have worked with extended keyboards for many decades. I am used to the keypad. I should try using the smaller keyboard.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND