Set Track and MIDI Thru Parameters by Region/Folder — Logic Pro X keyboard command of the day

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Set Track and MIDI Thru Parameters by Region/Folder

This was hard to track down.

My current description is…with a region (or multiple regions) selected the command will set the defaults for track and MIDI regions to the settings of the selected region(s).

Much confusion occurred. Documentation refers to “MIDI Thru” as the region name. I have seen that. I tested the command and changed some MIDI defaults. Now the defaulted region is named “MIDI Defaults”. The latest documentation doesn’t reference “MIDI Thru” and uses the term defaults.

A “simpler” description is the region named “MIDI Thru” contains the MIDI settings that are applied to any MIDI coming in to Logic — like a MIDI Thru port — probably not the easiest thing for the non-MIDI generation to understand as the implication of the word “Thru”.

My Logic now reads “MIDI Defaults” — checking a different system to see what it looks like. My other Mac says “MIDI Defaults”. Following is an image from Apple…MIDI Thru Lives!

Region inspector — Logic Pro X:

The Region inspector shows parameters for the selected region or regions, including Quantize and other parameters. Some parameters are shared, while others are available for only audio or MIDI regions. There are additional advanced quantization parameters that you can view and edit by clicking the More disclosure triangle.

You can also open the Region inspector in a separate floating window.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND

MIDI Thru Lives!

1/8 Page Right — Logic Pro X keyboard command of the day

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  1/8 Page Right

Move the visible part of the current page in the Score Editor.

As far as I can tell “1/8 page” is 1/8 of the visible score. If your visible score is 8 bars wide then you can move the score a bar at a time. Handy.

Score layout overview — Logic Pro X:

You should use Linear Score view for editing, as screen redraws are much faster, especially on slower computers.

Notation overview — Logic Pro X:

You can view MIDI regions in software instrument (and external MIDI instrument) tracks as music notation in the Score Editor. Notes and other musical events are displayed as standard notation, along with common symbols such as time and key signature, bar lines, and clef signs. You can add and edit notes, add sustain pedal markings and other symbols, and print the score.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND

Replace with Overlapped Regions — Logic Pro X keyboard command of the day

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Replace with Overlapped Regions

I have yet to come to a place in my work that I would use this type of command. As I read about overlapping regions/events, and the things that I might be able to do with them I start to get a glimmer of an idea. But mostly, no. I don’t see using this anytime soon.

Control positioning with drag modes — Logic Pro X:

When Show Advanced Tools is selected in the Advanced preferences pane, the Drag pop-up menu is available in the Tracks area and in time-based editors (such as the Audio Track Editor and Piano Roll Editor). Using drag modes, you can control the results of moving, resizing, or deleting regions in the Tracks area.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND

Add Selected Channel Strips to Selected Groups — Logic Pro X keyboard command of the day

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Add Selected Channel Strips to Selected Groups

Select a Channel Strips by clicking on it. Add strips to the selection by holding down the shift key and clicking on a second one. This will select all the strips in between the first and second. Use command click to select non-contiguous strips.

Show the Groups window (⌥⇧G) is the easiest way. Expand the Groups window so you can see the list of groups. Select groups with click, shift-click, or command-click. Choose “Add selected channel strips” from the gear menu, or use the keyboard equivalent.

I think I like the possibility of “Track Zoom” and “Hide”, along with automating the group.

Groups overview — Logic Pro X:

Prior to mixing, you may find it useful to define some logical channel strip groups. You could, for example, group all drum channel strips under one drum group. This would allow you to control the group meters (volume, pan, mute, solo, sends, and so on) using a single control, while still maintaining the relative parameter values of each channel strip.

You can also automate a group. This lets you easily set the change for parameters of a group of channel strips over the course of a project. For example, you may wish to group all of your guitar channel strips together and have all of their relative volumes change at the same time throughout your project.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND

Nudge Region/Event Position Right by 1/2 SMPTE Frame — Logic Pro X keyboard command of the day

Logic Pro X keyboard command of the day. #LogicProX @StudioIntern1

  Nudge Region/Event Position Right by 1/2 SMPTE Frame

When that sound just has to line up with what is happening on the screen.

Editing audio to go along with a video. A skill that is probably far more useful now.

Move regions in the Tracks area — Logic Pro X:

You can also nudge regions (move them in small increments) left or right using key commands. To nudge regions, you first set the nudge value, then move selected regions by this value. Alternatively, you can nudge regions by a set value.

Logic Tutorial: Secrets of the Toolbar — MusicTech:

Cunningly hidden at the top of the interface, the Toolbar is Logic Pro X’s secret weapon for super-fast editing and arrangement, and a great way of extending a rough-and-ready demo into a developed composition.

Work with absolute time code — Logic Pro X:

The production process for video, film, or TV commercials is different from music production. Synchronization is always used, unlike in music production, where it is not always required. You need to work in absolute time: hours, minutes, seconds, and frames, rather than in bars and beats. Edits to the video, including changes to scene length, additional cuts, the use of slow or fast motion, and dialogue changes (or “redos”) are among the many situations that you will encounter when creating or editing a soundtrack.

⇧ SHIFT – ⌃ CONTROL – ⌥ OPTION – ⌘ COMMAND