What Is an Ideal Mastering Signal Chain?

What Is an Ideal Mastering Signal Chain?

by Oscar Zambrano, iZotope Contributor July 10, 2019

Ozone 8 is a great starting environment to build a mastering signal chain.
If you’re an iZotope blog regular, you’ve probably read a lot of mastering tips and tricks for EQs, compressors, limiters, imagers, and every other processor around. But what about choosing an order for these things? While signal chain composition isn’t discussed much, it’s an integral step in mastering.

5 Mixing Tips for Better Snare Drums

5 Mixing Tips for Better Snare Drums

by Daniel Dixon, iZotope Contributor July 8, 2019

Snares should sound punchy, but not overwhelming. What’s a happy medium?
It takes lots of practice to get a snare mix right. After vocals, snares are one of the most commanding sounds in modern mixes, but also prone to become sharp with careless processing. In this article, I’ll share five tips I use to bring snare drums to life, and help them cut through the mix in a pleasing way.

6 Tips for Recording Interviews in the Field

6 Tips for Recording Interviews in the Field

by Nick Messitte, iZotope Contributor July 1, 2019

6 tips to get the most out of your next interview or tape sync project.
Recently, I stepped away from my mixing duties to report a piece for WHYY, an NPR station based out of Philadelphia. The gig got me out of the studio, recording interviews in a variety of locations, and dusting off a bag of in-the-field tricks that might be of some benefit to you.

If this sort of work intrigues you—interviewing people in the field for radio and podcasts and the like—read on. We’ll cover the right tools for the job and some good techniques for getting a quality sound.

Classical Music: Recording, Mixing, and Mastering Fundamentals

Classical Music: Recording, Mixing, and Mastering Fundamentals

by Jett Galindo, iZotope Contributor July 3, 2019

Recording, mixing, and mastering classical music requires different techniques than most modern productions.
Classical music is known for its nuanced sonics—from the wide dynamics all the way to its vast range in the frequency spectrum. With that comes a unique set of challenges for sound engineers when recording, mixing, and mastering classical music.